“All stories have two sides,” my fifth-grade teacher said to us one day. “Sometimes, they have more than that.” She told us to rewrite a scene from the book we were reading from the perspective of a different character. What was meant to be a quick writing exercise turned out to be the start of my lifelong fascination with retellings. I love that retold tales show the fundamental truth that everyone has a story, no matter how peripheral they might seem in the original. I’ve written two Pride and Prejudice continuations, and my forthcoming novel is a historical retelling of Beauty and the Beast.
I first read this book to my daughter when she was seven years old, and we’ve read it together multiple times since. I love Gaiman’s take on these two mashed-up classic fairy tales—not only does he allow a normally passive princess to be the hero and choose her own future, he completely subverts reader expectations about the outward appearance of good and evil. This was the first time my daughter had been confronted by this kind of subversion in a book, and it blew her mind in the best possible way.
The bestselling, award-bedecked Neil Gaiman and Chris Riddell are reunited in this irresistible fairytale reboot, with vibrant red ink adding lustre to an amazingly beautiful book.
'Suffused with joy and melancholy ... It is absolutely a retelling for our age, but also for ages still to come' Guardian
Weaving together hints of Snow White and Sleeping Beauty with a shimmering thread of dark magic, this twist on classic fairytales will hold readers spellbound from start to finish.
On the eve of her wedding, a young queen sets out to rescue a princess from an enchantment. She casts aside her fine…
Napoli is a master at rewriting fairy tales and other classic stories, and Zel might just be my favorite of her works. A young adult retelling of Rapunzel from three perspectives, it sticks to the original tale’s basic plot points but deeply expands the reader’s understanding of each character, particularly Rapunzel’s mother, whose feelings and motivations are written with exquisite nuance. Though it’s written for a YA audience, I still enjoy this story as much now as I did when I first read it at age 13, and now that I’m a mother myself, I experience it on an entirely different level. This is a deceptively simple book that really has layers upon layers to unwrap.
High in the mountains, Zel lives with her mother, who insists they have all they need -- for they have each other. Zel's life is peaceful and protected -- until a chance encounter changes everything. When she meets a beautiful young prince at the market one day, she is profoundly moved by new emotions. But Zel's mother sees the future unfolding -- and she will do the unspeakable to prevent Zel from leaving her..."Will leave readers spellbound."-- Publishers Weekly, starred review
Fairy tales are often disturbing, and “Donkeyskin,” the Charles Perrault story upon which Robin McKinley based Deerskin, is no exception. And so, unlike many of McKinley’s novels—which retell fairy tales for a young adult audience—Deerskin is firmly an adult book. But though McKinley does not shy away from the dark themes in this story, which include incest, rape, miscarriage, and PTSD, she is respectful of them, and of the impact they have on Lissar, the story’s protagonist, and on the reader. Though this is often a difficult read, it’s also a hopeful one—a story not just of abuse, but of recovery, and proof that strength of character doesn’t always reveal itself through the swinging of swords or the slaying of dragons.
(There’s also a sweet romance. Oh, and there are dogs. Lots and lots of dogs. And they are delightful).
“A fierce and beautiful story of rage and compassion, betrayal and loyalty, damage and love...A fairy tale for adults, one you'll never forget.”—Alice Hoffman, New York Times bestselling author of The Rules of Magic
The only daughter of a beloved king and queen, Princess Lissar has grown up in the shadow of her parent’s infinite adoration for each other—an infatuation so great that it could only be broken by the queen’s unexpected passing. As Lissar reaches womanhood, it becomes clear to everyone in the kingdom that she has inherited her late mother’s breathtaking beauty. But on the eve of her…
The best retellings, in my opinion, reveal something new about the original story, and Circe is no exception. When I first read The Odyssey in college, I’m embarrassed to say that despite finding Odysseus’s braggadocio more than a little off-putting, I didn’t question his version of events as closely as I could have. Because of course, as Madeleine Miller has it, Circe didn’t randomly turn Odysseus’s men into pigs. People—even goddesses—don’t generally do things without reason. The men did something to her first. The entire book is a study in complexity, from the deep-dive we take into Circe’s background, motivations, thoughts, and feelings, to the complicated relationships between the gods, mortals, and time itself.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
The other books in this list are all retellings of well-known fairy tales and myths, and though Courting Mr. Lincoln is a fictionalized version of a real man’s life, I would argue that Abraham Lincoln has achieved a sort of mythic status. Louis Bayard has created a gorgeous story about Lincoln told from the perspectives of two people who loved him: his wife, Mary—rendered here with tightly-drawn nuance—and his roommate, Joshua Speed.
Previously, I’d mostly seen Mary Todd Lincoln portrayed as a mother consumed by her grief. Bayard’s Mary is sharply intelligent, independent, and imperfect—she can be as cruel as she can be kind. Few books have stuck with me as completely as this one; with writing that is both lyrical and somehow raw, it brilliantly depicts relationships in all their messy, enduring, heart-breaking intricacy.
When Mary Todd meets Abraham Lincoln in Springfield in the winter of 1840, he is on no one's short list to be president. A country lawyer living above a dry goods shop, he is lacking both money and manners, and his gift for oratory surprises those who meet him. Mary, a quick, self-possessed debutante with an interest in debates and elections, at first finds him an enigma. "I can only hope," she tells his roommate, the handsome, charming Joshua Speed, "that his waters being so very still, they also run deep."
It's not long, though, before she sees the Lincoln…
As a fussy baby, Anne de Bourgh’s doctor prescribed laudanum to quiet her, and now the young woman must take the opium-heavy tincture every day. But she comes to see that what she has always been told is an affliction of nature might in fact be one of nurture – and one, therefore, that she can beat. She throws away her laudanum and seeks refuge at her cousin’s London home. Suddenly wide awake to the world but utterly unprepared, Anne must decide what matters more: society’s approbation, or the pull of her newfound sense of self.
An extraordinary tale of one woman’s liberation, The Heiress reveals both the darkness and light in Jane Austen’s world, with wit, sensuality, and a deeply compassionate understanding of the human heart.
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
